Serial Numbers will be emailed within 24 hours, turnaround is often within a few hours. Software downloads that do not require delivery of a physical product do not attract a shipping charge. We primarily use Australia Post, TNT, StarTrack Express, Couriers Please, TFM Logistics and Toll Express depending on the delivery location and shipping option chosen.ĭelivery timings are approximate and may differ due to circumstances outside of our control such as flight delays, traffic incidents, extreme weather etc. We do our best to maintain stock of our most popular items, all other items are normally despatched within a few days however we will advise you if your item is not in stock within 24 hours (excluding weekends and public holidays) and will advise of the approximate delivery time. Orders placed after 12.30pm, during weekends, holidays or after hours will be processed the following business day. This is the total shipping charge and is not in addition to our Standard or Express Shipping charges.Īll orders (in stock items) must be placed by 12.30pm AEST/AEDT for same day despatch. Some items may be considered Bulky and therefore attract a greater shipping charge. Please contact us for a quote for other areas.It’s really quite impressive.We offer the following shipping options for all items except software downloads and bulky items: If you have one camera that’s going around shooting something, stopping, shooting something, stopping, when you bring in all those clips from that camera, if you’re using timecode, it will place them down onto one video track and space them correctly to where they are in the exact spots that they need to be. If you have cameras that have free-run timecode, when they’re not recording, they’re continuing with the timecode going. Working with this timecode feature in EDIUS has real benefits for live event producers. I don’t have a way to sync these sources automatically, but if you have cameras that have timecode and you’re using SDI inputs (available on the Wirecast Gear 210 or 220), then you’d be able to take any number of files and be able to line them up automatically with timecode and start editing immediately. Because I’m working with only two sources in this demo, I’ll select Two Plus Master. In the Mode pull-down menu shown in Figure 4 (below), you can see Multicam Mode, Number of Cameras, Sync Point, and Number of Cameras. Importing the footage recorded in Wirecast Once these are imported, I’m ready to use them.įigure 3. As shown in Figure 3 (below), I’m just going to grab Camera 1 and Camera 2 that I recorded in Wirecast and select Open. To import footage, I can right-click inside the bin and select Add File, or I can hit Ctrl-O, or I can just double-click with the left mouse button and it opens my browser so I can locate my footage. I can have multiple sequences, but for the sake of this demonstration we’re just going to leave it as one. EDIUS opens with my first sequence in the Bin window. The first thing I’m going to do is bring in my footage. After I do that, I just select OK to open the main EDIUS window.įigure 2. Next, I pick a resolution, and create a name for my project. I have some presets available for my Project Settings, all high-definition ( Figure 2, below), but you can have standard definition or anything that you would like. When it first comes up, I select New Project. To start EDIUS Pro 8, I double-click on the EDIUS icon. I’ve installed EDIUS directly on the Wirecast Gear, which is a very powerful computer and can handle anything that I can throw at it while editing. Wirecast Gear 110 Getting Started in EDIUS Pro 8 That’s what I’m going to be showing you in EDIUS Pro 8, which not only does all of this, but does it extremely well and very, very quickly.įigure 1. Here we’re going to talk about some of the reasons why you need post-production software on this piece of equipment, such as editing out a pre-show, or repurposing the content that you just got through streaming to make shorter videos for social media, or creating highlight reels from your live streams. It also records the streams, which means you can manipulate them afterwards as well. I’m working with the Wirecast Gear 110 ( Figure 1, below), which comes with four HDMI inputs and allows you to ingest, live-switch, and stream four HDMI sources simultaneously. In this tutorial, I’ll show you how to post-produce your live content quickly and efficiently using Grass Valley EDIUS on Wirecast Gear.
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